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"I try to use my music as a machine to move people to act -- to get changes done." -Jimi Hendrix |
Announcer (Mitch Mitchell):
Mr. Corusoe (Jimi Hendrix):
Announcer:
EXP from AXIS: BOLD AS LOVE,
October, 1967 by Jimi Hendrix
Good evening, ladies and gentlemen. Welcome to radio station EXP.
Tonight we are featuring an interview with a very peculiar looking
gentleman who goes by the name of Mr. Paul Corusoe [cf. Phil
Corso -B:.B:.], on the dodgy subject of are there
or are there not flying saucers or ... ahem, UFOs. Please Mr.
Corusoe, please could you give your regarded opinion on this
nonsense about spaceships and even space people?
Thank you. As you all know, you just can't believe everything you
see and hear, can you? Now, if you will excuse me, I must be on my
way.
-=[strange UFO sound effects]=-
Bu ... but, but ... I, I don't believe it...
In the last days of his life, Jimi told me about a strong belief
that he held, and took a writing pad, to illustrate more clearly
what he meant.
Before going into the subject, he talked for a while about a song
he had written called "If Six Was Nine". He told me that there
was a cosmic meaning to that song, hidden in the two numbers six
and nine. Jimi said that these numbers together are a very
powerful force, and he drew them within each other. It looked
like a spiral when he added more rays, the individual rays as well
as the whole form spinning to the right. He said the sign with
nine rays in it is the symbol of a very high spiritual power which
is coming towards the earth.
He was convinced that, in the near future, Galacticans from outer
space, from another galaxy of great positive power, would come to
our planet to help mankind in its struggle againt evil. While
explaining this, he drew two points representing this higher power
coming closer and closer towards our galaxy, the Milky Way, finally
reaching Earth.
Jimi then made another sketch with four spiral rays pointing
leftwards, telling me that this symbol is a negative one, because
its rays point to the left.
This prophecy of Jimi's was an inspiration for this painting. A
spacecraft, one of many to follow, is approaching our galaxy, its
destination planet Earth.
Jimi also refers to this event in his last poem, "The Story of Life":
Angels of heaven, flying saucers to some
Excerpt from:
Jimi's Prophecy
"But like the solar system is going through a change soon and it's
going to affect the Earth in about 30 years, you know, I am talking
about the Earth itself." (San Diego Free Press, June 1969)

And so castles
made of sand
fall into the sea
eventually
He told me that the arrival of the positive power would bring about
a great change on our planet. Love, peace and brotherhood among
the peoples on Earth would start to blossom again, just as they in
the ancient civilization of Atlantis. He said that the signs of the
beginning of these events would be when significant unexpected
changes started to happen in the world. But he also pointed out
that we, the people, would also have to become active and anticipate
bringing about these positive changes for ourselves and our world.
He explained that people on Earth have been asleep for too long
and an awakening is beginning to happen to the people as this higher
power approaches our world.

Jimi -- grilled by the intelligence community which would
later take him out -- synchronistically rests his hand next to
an issue of The Examiner with a main cover story which
reads My Wife Was Kidnapped by a Flying Saucer
Made Easter Sunday, the name of the rising sun.
The Inner World of Jimi Hendrix
by Monika Dannermann ISBN 0-312-137-389

Hooray, I awake from yesterday
Alive, but the war is here to stay
So my love, Catherina and me,
decide to take our last walk
through the noise to the sea
Not to die but to reborn,
away from lands so battered and torn
Forever, forever
Oh say, can you see
it's really such a mess
Every inch of Earth is a fighting nest
Giant pencil and lipstick
tube shaped things,
Continue to rain
and cause screaming pain
And the arctic stains from silver blue
to bloody red
as our feet find the sand, and the sea
is straight ahead, straight up ahead
Well it's too bad THAT our friends,
can't be with us today
Well it's too bad
The machine, THAT we built, would never save us, that's what they say
(That's why they ain't coming with us today)
And they also said "it's impossible for a man to live and breathe under water, forever,"
was their main complaint. And they also threw this in my face, they said:
"Anyway, you know good and well it would be beyond the will of God, and the grace of the King"
(grace of the King ... Yeah, yeah)
So my darling and I make love in the sand, to salute the last moment ever on dry land
Our machine, it has done its work, played its part well.
Without a scratch on our bodies and we bid it farewell
Starfish and giant foams greet us with a smile
Before our heads go under we take a last look at the killing noise
Of the out of style, the out of style, out of style (oooh)...
"Right this way," smiles a mermaid -- I can hear Atlantis full of cheer.
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The author, Beckley, says, "I can't say in all honesty that I really knew Jimi Hendrix, but I did see him give a number of really good performances. It was at one of those post-Woodstock concerts where I managed to wind my way backstage. Jimi Hendrix was leaning up against a wall of amps and speakers. As I walked past him, we both just kind of nodded as if we recognized each other, and to this day I can swear I heard him ask me, 'and what planet are you from pal?'"
Jimi Hendrix fits perfectly some of the characteristics often representative of 'Walk-Ins'.
World traveler Bill Cox has investigated any number of cases involving beings who have come here from other worlds and with the permission of a human, transplanted their spirits inside one of us (usually at the moment of death, just after an accident).
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Jimi expressed a great interest in matters of an extraterrestrial nature, had admitted seeing UFOs, and once told a reporter from The New York Times that he was really from Mars. And he wasn't kidding either. David Henderson, in his book The Life of Jimi Hendrix (Bantam), quotes Jimi's feelings about life on other planets: "There are other people in the solar system, you know, and they have the same feelings too, not necessarily bad feelings, but see, it upsets their way of living for instance -- and they are a whole lot heavier than we are."
"And it's no war games, because they all keep the same place. But like the solar system is going through a change soon and it's going to affect the Earth in about 30 years."
On several occasions during his career, UFOs "just happened" to show up while Jimi was giving a concert. During the last days of his life, he performed on the rim of an extinct volcano in Maui.
Jimi played three 45-minute sets, says Henderson in his best-seller. After each set, he retired to a special sacred Hopi Indian tent. Later, witnesses in Maui testified that they heard musical tones emanating from rocks and stones. UFOs were also sighted over the volcano by people who called in to a local radio show. A cameraman on the set said that he fell from his perch after seeing a UFO through his lens.
In the film Rainbow Bridge, Hendrix rattles on for several minutes about astral projection and the philosophy of the Space Brothers. He also tried to master the art of psychic healing, through color and sound.
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During the course of our conversation, Curtis also revealed the fascinating details of the time a UFO landed in front of them and actually saved their lives.
The event took place on a cold winteris night near Woodstock, NY in 1965. According to Curtis, if it hadn't been for the occupants of this metallic stranger, Jimi and his fellow musicians might have frozen to death.
"It was four o'clock in the morning, and we were trying to make it back to Manhattan -- a drive of more than 100 miles -- through the worst blizzard I can recall. The wind was whipping the snow around our van so fiercely that we missed the turn-off leading to the state highway that would put us in the direction of home. The next thing I remember is getting stuck in a drift that reached the hood of our vehicle. Soon it got so cold. The windows were rolled up tight, and we had the heater on full blast to protect us from the rawness of the elements. I had my doubts about seeing the light of day. We could have turned to human icicles very easily. That's how bitter it was!"
Curtis says the road in front of them suddenly lit up, as a bright phosphorescent object "cone-shaped, like a space capsule" landed in the snow about 100 feet up ahead. It stood on tripod landing gear, and for all purposes gave the appearance of being something right out of science fiction. "At first we thought it was an apparition caused by the cold and our confused state of mind. I mean, we just couldnit believe our eyes."
Prodding Jimi with his elbow, Curtis asked if his imagination was playing tricks on him or whether the rock star saw it too. "Jimi didn't answer, but sort of smiled. He seemed to be staring out into the night, his eyes riveted on this thing resting within a stone's throw."
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The being proceeded to float to the ground and glided toward the trapped occupants of the van. It was then that Curtis noticed the snow was melting in the wake of the creature. His body generated tremendous heat, so much so that as it came across a small rise, the snow disappeared around in all directions. In a matter of what seemed like seconds, the being came over to the right-hand side of the van where Jimi was seated and looked right through the window. Jimi seemed to be communicating telepathically with it.
Curtis relates that immediately the interior of their vehicle began to heat up. "Suddenly, I was roasting! One moment it had been bitter cold, and the next moment we might as well have been in Haiti." The heat coming from the being evaporated the snow enough to free their imprisoned van.
As it glided behind our van, I saw the drift had completely vanished. Turning on the ignition key, I gunned the motor and got out of there. As I looked back through the rear view window, I could see the road filling in with snow again. The object -- the strange craft -- was at the same instant lifting off like a rocket from a launching pad.
Jimi never did talk much about what happened. He sort of let me know that the cool thing to do was not to bring up the subject. It was to be our little secret. However, from what he did say, I sort of suspect that the object arrived to save our necks chiefly because Jimi had been practicing trying to communicate by ESP with the beings on board. I know this may be hard to believe, but I'm putting it straight, just like it happened, you hear!
The boys from the group who were with us remember nothing. They were out cold in the back. As we got into the main road, they revived. It's as if they had been placed under a spell -- you know -- hypnotized.
A capsule review of Jimi's songs shows that he incorporated some of his interplanetary ties in with his music. The lyrics of many of his songs contain veiled references to UFOs. His album, Axis:Bold as Love, opens with an announcer talking about flying saucers, with a cut following being a catchy tune called, Up From the Stars.
Though he has passed from this plane, it wouldn't be hard to imagine that somewhere "out there," Jimi isn't watching over earth and smiling and we certainly do miss this vibrant star child who was once in our midst.
Excerpt from:
Close Encounters of the Famous: UFOs Among the Stars
by Timothy Green Beckley
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